Old Folks in A

Willard Robison / Dedette Lee Hill(1938)swing
Do Re MiC D E
A
Bm7♭5/E
Bm7♭5/E
D/A
E7♯5
C♭/A
Bm7♭5/E

Chord Diagrams — Old Folks in A (Guitar)

Display
FingerNoteDegree
C♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
Bm/D
10frEADGBExx3241
EADGBE1113427frEADGBE1111349frEADGBExx1342
A7
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
A9
2frEADGBE431
EADGBE11x325frEADGBE11132411frEADGBE2222x1
D69
2frEADGBEx431
4frEADGBE11x2349frEADGBE11123411frEADGBE2222x1
Bm7♭5
EADGBEx1324x
6frEADGBE2x341x7frEADGBE1112349frEADGBE222xx1
DMaj7
EADGBE111xx
2frEADGBE111x435frEADGBE1113247frEADGBE111xx4
Bm6
EADGBE2314
EADGBExx23146frEADGBE2x134x7frEADGBE111234
A6
EADGBE1111x
4frEADGBE2x143x5frEADGBE113x2410frEADGBEx4231x
C♯m7♭5
4frEADGBEx1324x
5frEADGBE11xx248frEADGBE2x341x11frEADGBE222xx1
F♯7♯5
EADGBE1x234x
4frEADGBExx14237frEADGBEx43129frEADGBE11x432
F♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
B9
EADGBE2222x1
4frEADGBE1114327frEADGBE1113248frEADGBExx2143
Bm7♭5/E
EADGBEx1324x
6frEADGBE2x341x7frEADGBE1112349frEADGBE222xx1
E7
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2
D/A
5frEADGBE111234
EADGBExx1322frEADGBE11143210frEADGBE111342
A
EADGBEx234
2frEADGBE111x45frEADGBE1113427frEADGBEx1243
E7♯5
EADGBE412
2frEADGBExx14237frEADGBE11x43212frEADGBE1x234x
D
EADGBExx132
2frEADGBE1114325frEADGBE11123410frEADGBE111342
Dm6
EADGBExx21
3frEADGBE11x3245frEADGBEx13x249frEADGBE2222x1
AMaj7
EADGBEx213
EADGBE111x45frEADGBE1114237frEADGBE333x1
D6
EADGBExx23
3frEADGBEx4231x5frEADGBE3333x17frEADGBE111134
B/A
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
A/E
EADGBEx234
2frEADGBE111x45frEADGBE1113427frEADGBEx1243
F♯m6
EADGBE2222x1
4frEADGBE111x327frEADGBE11x3248frEADGBEx2413x
Bm7
EADGBE111132
3frEADGBExx23147frEADGBE1111139frEADGBE11x423
D7
EADGBExx213
3frEADGBEx3241x5frEADGBE11113410frEADGBE111132

Old Folks in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C# to B (descending whole step), B to A (descending whole step), A to A (ascending unison), A to D (ascending perfect fourth), D to B (descending minor third), B to D (ascending minor third), D to B (descending minor third), B to A (descending whole step), A to C# (ascending major third), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to B (ascending perfect fourth), B to B (ascending unison), B to E (ascending perfect fourth), E to D (descending whole step), D to A (descending perfect fourth), A to E (descending perfect fourth), E to D (descending whole step), D to D (ascending unison), D to A (descending perfect fourth), A to D (ascending perfect fourth), D to Cb (descending whole step), Cb to A (descending minor third), A to F# (descending minor third), F# to B (ascending perfect fourth), B to D (ascending minor third). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D to C# by half step.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: A

Chords: C♯7, Bm/D, A7, A9, D69, Bm7♭5, DMaj7, Bm6, A6, C♯m7♭5, F♯7♯5, F♯7, B9, Bm7♭5/E, E7, D/A, A, E7♯5, D, Dm6, AMaj7, D6, C♭/A, A/E, F♯m6, Bm7, D7.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A