Oblivion in E

Ástor Piazzolla(1982)latin
Do Re MiC D E
A
E7♭9♯5
Am7/G
Em/D
F♯/C♯
B7♭9♭5
E7♭9♯5
CMaj7/G
Em/D
F♯/C♯
Em/D
Em/C
B7♭9sus4

Chord Diagrams — Oblivion in E (Guitar)

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Oblivion in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to D (descending whole step), D to A (descending perfect fourth), A to C (ascending minor third), C to G (descending perfect fourth), G to F# (descending half step), F# to F# (ascending unison), F# to B (ascending perfect fourth), B to B (ascending unison), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to A (ascending unison), A to F# (descending minor third), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to F# (ascending whole step), F# to E (descending whole step), E to D (descending whole step), D to C (descending whole step), C to G# (descending major third), G# to G (descending half step), G to F# (descending half step), F# to B (ascending perfect fourth), B to C (ascending half step), C to E (ascending major third), E to B (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to E by perfect fourth.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

latin4/4 · 71 bars · Form: A

Chords: Em, D7, Am, CMaj7, GMaj7, F♯7, F♯dim, B7, B7♭5, E7♭9♯5, Am7, Am7/G, F♯m7♭5, B7♭9, Em/D, F♯/C♯, Em7, D9, C, G♯dim7, G7, F♯7♭5, B7♭9♭5, CMaj7/G, Em/C, B7♭9sus4.

Scales for Improvisation E bebop minor, E bebop.

Diatonic chords: See all chords in the key of E