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No More Blues (Chega de Saudade) in E
Key of E
E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.
Voice Leading
The bass line moves through E to F (ascending half step), F to E (descending half step), E to C# (descending minor third), C# to C (descending half step), C to B (descending half step), B to F (ascending tritone), F to F# (ascending half step), F# to B (ascending perfect fourth), B to F# (descending perfect fourth), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to E (descending perfect fourth), E to C# (descending minor third), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to E (descending whole step), E to G# (ascending major third), G# to G (descending half step), G to C# (ascending tritone), C# to F# (ascending perfect fourth), F# to C (ascending tritone), C to C# (ascending half step), C# to C# (ascending unison), C# to D# (ascending whole step), D# to G# (ascending perfect fourth), G# to C (ascending major third), C to E (ascending major third), E to A (ascending perfect fourth), A to G (descending whole step), G to G# (ascending half step), G# to C# (ascending perfect fourth), C# to B (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to E by perfect fourth.
Scales for Improvisation
E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.