No More Blues (Chega de Saudade) in E

Antonio Carlos Jobim / Jon Hendricks / Jessie Cavanaugh / Vinicius DeMoraes(1957)swing
Do Re MiC D E
A
B
FMaj7♭5
Em7/D
B7♯5
Em7/D
B7♯5
B7♯5
Em7/D
B7♯5
C♯7♯5
F♯m7/B
C♯7♯5
C♯m7/F♯
G♯7♯5
F♯m7/B
G♯7♯5
F♯m7/B
B7♯5

Chord Diagrams — No More Blues (Chega de Saudade) in E (Guitar)

Display
FingerNoteDegree
Em7
EADGBE2
EADGBE114237frEADGBE1111328frEADGBExx2314
FMaj7♭5
Em7/D
EADGBE2
EADGBE114237frEADGBE1111328frEADGBExx2314
C♯m7♭5
4frEADGBEx1324x
5frEADGBE11xx248frEADGBE2x341x11frEADGBE222xx1
CMaj7
EADGBE231
3frEADGBE1113245frEADGBE111xx410frEADGBE333xx1
B7♯5
EADGBEx2134
2frEADGBEx2137frEADGBE1x234x9frEADGBExx1423
F7♭5
EADGBE1243
3frEADGBExx12346frEADGBExx24138frEADGBE11x23x
F♯7♭9
EADGBE2134
3frEADGBE11xx238frEADGBE11x23412frEADGBE3241xx
Bm7
EADGBE111132
3frEADGBExx23147frEADGBE1111139frEADGBE11x423
F♯m7♭5
EADGBE2341
4frEADGBE222xx19frEADGBEx1324x10frEADGBE11xx24
B7♭9
EADGBE11x234
5frEADGBE3241xx7frEADGBE111x238frEADGBE11xx23
E7♭9
EADGBE312
4frEADGBE11346frEADGBE11x23410frEADGBE3241xx
Am7
EADGBEx21
EADGBEx23145frEADGBE1111137frEADGBE11x423
EMaj7
EADGBE312
EADGBE333xx14frEADGBE111x437frEADGBE111324
C♯7♯5
EADGBEx4321
4frEADGBE11x4327frEADGBE431x29frEADGBE1x234x
F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
F♯m7/B
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
Edim7
EADGBE123
EADGBExx13246frEADGBEx2314x11frEADGBE112x3x
G♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
Gdim7
EADGBE31x42
EADGBE3x1423frEADGBE1112345frEADGBExx1324
C♯m6
EADGBE11x324
5frEADGBExx23148frEADGBE2x134x9frEADGBE111234
F♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
C6
EADGBEx4231
3frEADGBE3333x17frEADGBE2x143x8frEADGBE11x324
C♯m7
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
C♯m7/F♯
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
D♯m7♭5
EADGBE222xx1
6frEADGBEx1324x7frEADGBE11xx2410frEADGBE2x341x
G♯7♯5
4frEADGBE1x234
6frEADGBExx14239frEADGBEx324111frEADGBE11x432
C7
EADGBEx3241
3frEADGBE1111345frEADGBE111xx28frEADGBE111132
E7
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2
AMaj7
EADGBEx213
EADGBE111x45frEADGBE1114237frEADGBE333x1
G7
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134
G♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
C♯7♭9
EADGBE11x234
4frEADGBEx12347frEADGBE3241x9frEADGBExx1324
B7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132

No More Blues (Chega de Saudade) in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to F (ascending half step), F to E (descending half step), E to C# (descending minor third), C# to C (descending half step), C to B (descending half step), B to F (ascending tritone), F to F# (ascending half step), F# to B (ascending perfect fourth), B to F# (descending perfect fourth), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to E (descending perfect fourth), E to C# (descending minor third), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to E (descending whole step), E to G# (ascending major third), G# to G (descending half step), G to C# (ascending tritone), C# to F# (ascending perfect fourth), F# to C (ascending tritone), C to C# (ascending half step), C# to C# (ascending unison), C# to D# (ascending whole step), D# to G# (ascending perfect fourth), G# to C (ascending major third), C to E (ascending major third), E to A (ascending perfect fourth), A to G (descending whole step), G to G# (ascending half step), G# to C# (ascending perfect fourth), C# to B (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to E by perfect fourth.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 72 bars · Form: AB

Chords: Em7, FMaj7♭5, Em7/D, C♯m7♭5, CMaj7, B7♯5, F7♭5, F♯7♭9, Bm7, F♯m7♭5, B7♭9, E7♭9, Am7, EMaj7, C♯7♯5, F♯m7, F♯m7/B, Edim7, G♯m7, Gdim7, C♯m6, F♯7, C6, C♯m7, C♯m7/F♯, D♯m7♭5, G♯7♯5, C7, E7, AMaj7, G7, G♯7, C♯7♭9, B7.

Scales for Improvisation E bebop minor, E bebop.

Diatonic chords: See all chords in the key of E