My Funny Valentine in B

Richard Rodgers(1937)balladSlowly
Do Re MiC D E
A
A
B
A

Chord Diagrams — My Funny Valentine in B (Guitar)

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My Funny Valentine in B

The B reading of My Funny Valentine: built on a descending chromatic bass over a static minor tonic, one of jazz's most haunting devices. Aeolian and Dorian blend naturally; Harmonic Minor is essential over the V7. Changes: Bm – F#7/b – Bm7/A – G#m7b5 – GMaj7 – Em9 – C#m7b5 – F#7b9 – DMaj7 – Em7 – F#m7 – D – F#7#5 – F#7 – Bm7 – Am7 – G#7b9.

My Funny Valentine in B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to F# (descending perfect fourth), F# to B (ascending perfect fourth), B to G# (descending minor third), G# to G (descending half step), G to E (descending minor third), E to C# (descending minor third), C# to F# (ascending perfect fourth), F# to D (descending major third), D to E (ascending whole step), E to F# (ascending whole step), F# to D (descending major third), D to F# (ascending major third), F# to F# (ascending unison), F# to B (ascending perfect fourth), B to A (descending whole step), A to G# (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G# to B by minor third.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 32 bars · Form: AABA

Chords: Bm, F♯7/b, Bm7/A, G♯m7♭5, GMaj7, Em9, C♯m7♭5, F♯7♭9, DMaj7, Em7, F♯m7, D, F♯7♯5, F♯7, Bm7, Am7, G♯7♭9.

Scales for Improvisation B aeolian, B dorian, B harmonic minor, B minor pentatonic, B bebop minor, B bebop.

Diatonic chords: See all chords in the key of B