How to practice Limehouse Blues with play-along tracks?

Use the play-along backing track above to practice Limehouse Blues in the key of G#. Listen to the audio with bass, piano, and drums, start by playing the melody, then practice improvisation and soloing over the chord changes.

What scales to use for soloing over Limehouse Blues?

For soloing over Limehouse Blues, recommended scales include: bebop, bebop major. Use arpeggio patterns over each chord to create melodic lines that follow the harmony of this jazz tune.

Who composed Limehouse Blues?

Limehouse Blues was composed by Philip Braham / Douglas Furber in 1922. It is a swing standard in 4/4 time. The original key is G; this page shows it transposed to G#.

What key is Limehouse Blues in?

The original key of Limehouse Blues is G. The form is A with 32 bars. This page shows the chart transposed to G#.

What scales work for improvising over Limehouse Blues?

Recommended scales for Limehouse Blues in G#: bebop, bebop major. Scales and arpeggios update in real-time as each chord plays, with context-aware analysis (e.g., Phrygian Dominant over secondary dominants).

How does the interactive backing track work?

The backing track plays with realistic walking bass, drum patterns, and voice-led chord voicings. Scales and arpeggios update in real-time as each chord plays. You can limit the fretboard zone for close-proximity voicings, toggle a reference melody, loop any section, and choose between multiple sound presets. Works for guitar, piano, bass, ukulele, and 7 more instruments.

Can I edit the chord chart?

Yes. You can modify the structure, chords, and arrangement of any standard to match your preferred version or create your own reharmonization.

Limehouse Blues in G#

Philip Braham / Douglas Furber(1922)swing

Do Re MiC D E

Section A

♬

BPM: 120

Chord Diagrams — Limehouse Blues in G# (Guitar)

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FingerNoteDegree

Chord Voicings Closest Voicing

Limehouse Blues in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to C (descending half step), C to B (descending half step), B to A# (descending half step), A# to G# (descending whole step), G# to F (descending minor third), F to D# (descending whole step), D# to G# (ascending perfect fourth), G# to F (descending minor third), F to A# (ascending perfect fourth), A# to A# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from A# to C# by minor third.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: A

Chords: C♯7, C7, B7, A♯7, G♯, Fm7, D♯7, G♯7, F7, A♯m, A♯m7♭5.

Scales for Improvisation G# bebop, G# bebop major.

Diatonic chords: See all chords in the key of G#