Just the Two of Us in A#

Bill Withers / Ralph MacDonald / William Salter(1980)swing
Do Re MiC D E
A

Chord Diagrams — Just the Two of Us in A# (Guitar)

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Just the Two of Us in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to F (descending half step), F to A# (ascending perfect fourth), A# to G# (descending whole step), G# to C# (ascending perfect fourth), C# to F (ascending major third), F to F (ascending unison), F to E (descending half step), E to D# (descending half step), D# to D# (ascending unison), D# to D (descending half step), D to C# (descending half step), C# to C (descending half step), C to B (descending half step), B to F (ascending tritone), F to A (ascending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from A to F# by minor third.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 24 bars · Form: A

Chords: F♯Maj7, F7♯5, A♯m7, G♯m7, C♯7, F7sus4, F7, EMaj7, D♯7sus4, D♯7, DMaj7, C♯7sus4, C7♭9, B69, F7♯9, Am7.

Scales for Improvisation A# bebop minor, A# bebop.

Diatonic chords: See all chords in the key of A#