I've Got The World On A String in A#

Harold Arlen / Ted Koehler(1932)swing
Do Re MiC D E
A
B
Daug7
G13
C13
Caug7
F13

Chord Diagrams — I've Got The World On A String in A# (Guitar)

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I've Got The World On A String in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to G# (descending whole step), G# to G (descending half step), G to C (ascending perfect fourth), C to D# (ascending minor third), D# to D (descending half step), D to C# (descending half step), C# to F (ascending major third), F to F (ascending unison), F to B (ascending tritone), B to A (descending whole step), A to D (ascending perfect fourth), D to D (ascending unison), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to C (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from C to A# by whole step.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 27 bars · Form: AB

Chords: A♯, G♯7, G7, Cm7, D♯m6, Dm7, C♯m7, F7, F13, Bdim, Am7, D7, Daug7, G13, C13, Caug7.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#