In A Sentimental Mood in Re

Duke Ellington(1935)balladBallad
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Chord Diagrams — In A Sentimental Mood in Re (Guitar)

In A Sentimental Mood in Re

In a Sentimental Mood in D: Ellington's ballad moves between minor and major with aching beauty, favoring Dorian over minor chords and Melodic Minor over the tonic. Harmonic Minor colors the cadential V7 moments. Chords: Bm – BmMaj7 – Bm7 – Bm6 – Em – EmMaj7 – Em7 – F#7 – B7 – D#7 – DMaj7 – A#Maj7 – Gm7 – Cm7 – F7 – G7 – C7 – A7b9.

In A Sentimental Mood in Re

D major is one of guitar's most resonant keys. The open D string acts as a droning root, and the open A string provides the fifth. This gives D-based strumming a wide, ringing quality that flatpicks and fingerpicks love. D is a beginner-level key on guitar because the open D and A strings provide a powerful bass foundation, and the open high E is the 2nd scale degree adding brightness. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through B to B (ascending unison), B to B (ascending unison), B to B (ascending unison), B to E (ascending perfect fourth), E to E (ascending unison), E to E (ascending unison), E to F# (ascending whole step), F# to B (ascending perfect fourth), B to D# (ascending major third), D# to D (descending half step), D to A# (descending major third), A# to G (descending minor third), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to G (ascending whole step), G to C (ascending perfect fourth), C to A (descending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A to B by whole step.

Scales for Improvisation

D major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D Mixolydian adds the flat seventh for an authentic blues-rock edge.