Do Re MiC D E

I'm Getting Sentimental Over You

George Bassman / Ned Washington(1932)4/4swing

Chord Diagrams — I'm Getting Sentimental Over You in G# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G♯9
4frEADGBE111324
EADGBE11234x
5frEADGBExx2143
10frEADGBE221334
G9
3frEADGBE111324
EADGBE31
EADGBE11234x
9frEADGBE221334
F♯9
3frEADGBExx2143
EADGBE111324
8frEADGBE221334
11frEADGBE1111x2
Faug7
3frEADGBExx1423
EADGBE1234x
8frEADGBE11x432
12frEADGBE213x4x
A♯7
6frEADGBE111132
EADGBE111x34
8frEADGBE11x324
11frEADGBEx3241x
D♯7
6frEADGBE111x34
EADGBExx1324
8frEADGBE111xx2
11frEADGBE111132
G♯Maj7
6frEADGBE11x333
4frEADGBE111423
9frEADGBEx3241x
11frEADGBE111324
D♯7♭9
6frEADGBE11x34
EADGBExx24
5frEADGBE11x234
9frEADGBE3241xx
D♯7/E
6frEADGBE111x34
EADGBExx1324
8frEADGBE111xx2
11frEADGBE111132
G♯
6frEADGBE11x243
EADGBE11132x
4frEADGBE111342
8frEADGBE111432
G7
5frEADGBE11x324
EADGBE321
3frEADGBE111132
10frEADGBE111134
Dm7♭5
5frEADGBEx1324x
EADGBE111xx
3frEADGBE11x342
8frEADGBEx1432
F♯7♯11
4frEADGBExx1234
EADGBE111234
8frEADGBE11x234
9frEADGBE111x23
Cm7♭5
4frEADGBE11xx24
EADGBEx1324x
8frEADGBE111234
10frEADGBE333xx1
F7
3frEADGBE11x324
EADGBE111132
8frEADGBE111134
10frEADGBE111xx2
A♯m7
EADGBExx2314
EADGBE111x32
6frEADGBE111113
8frEADGBE11x423
D♯7♭9♯5
D♯ - G - B - C♯ - E
C♯
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
9frEADGBE111342
Cm
EADGBEx3214
3frEADGBE111342
5frEADGBE1142xx
8frEADGBE111134
Am7♭5
EADGBEx23x
4frEADGBE2x341x
5frEADGBE111234
7frEADGBE222xx1
D7♭9
2frEADGBExx431
4frEADGBE11x234
5frEADGBE11x24
8frEADGBE3241xx
Dm7
5frEADGBE111132
EADGBExx312
6frEADGBExx2314
10frEADGBE111113
F7♭9
7frEADGBE11x234
EADGBE111423
EADGBE11xx23
11frEADGBE3241xx
Cm7
8frEADGBE111113
EADGBEx2134x
3frEADGBE111132
4frEADGBExx2314
F♯
6frEADGBE111432
EADGBE111342
4frEADGBE11x243
9frEADGBE111234

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I'm Getting Sentimental Over You in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to G (descending half step), G to F# (descending half step), F# to F (descending half step), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to D# (descending perfect fourth), D# to D# (ascending unison), D# to G# (ascending perfect fourth), G# to G (descending half step), G to D (descending perfect fourth), D to F# (ascending major third), F# to C (ascending tritone), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to C# (descending whole step), C# to C (descending half step), C to A (descending minor third), A to D (ascending perfect fourth), D to D (ascending unison), D to F (ascending minor third), F to C (descending perfect fourth), C to F# (ascending tritone). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to G# by whole step.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 43 bars · Form: ABC

Chords: G♯9, G9, F♯9, Faug7, A♯7, D♯7, G♯Maj7, D♯7♭9, D♯7/E, G♯, G7, Dm7♭5, F♯7♯11, Cm7♭5, F7, A♯m7, D♯7♭9♯5, C♯, Cm, Am7♭5, D7♭9, Dm7, F7♭9, Cm7, F♯.

Scales for Improvisation G# bebop, G# bebop major.

Diatonic chords: See all chords in the key of G#