I Remember Clifford in B

Benny Golson(1957)swing
Do Re MiC D E
A

Chord Diagrams — I Remember Clifford in B (Guitar)

Display
FingerNoteDegree
E
EADGBE231
2frEADGBExx12434frEADGBE1114327frEADGBE111234
F♯9
EADGBE111324
3frEADGBExx21438frEADGBE22222111frEADGBE1111x2
D♯7
EADGBExx1324
6frEADGBE111x348frEADGBE111xx211frEADGBE111132
G♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
Em7
EADGBE2
EADGBE114237frEADGBE1111328frEADGBExx2314
Dm7
EADGBExx312
5frEADGBE1111326frEADGBExx231410frEADGBE111113
C♯m7
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
C♯m7/F♯
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
F♯7♭9
EADGBE2134
3frEADGBE11xx238frEADGBE11x23412frEADGBE3241xx
B
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
Fdim
EADGBExx12x3
6frEADGBEx41x238frEADGBEx1243x11frEADGBE31x42x
F♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
Gdim
EADGBE31x42x
5frEADGBExx12x38frEADGBEx12x3210frEADGBEx1243x
G♯m7/F♯
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
Fm7♭5
EADGBE1x23x
EADGBE222xx18frEADGBEx1324x11frEADGBE2134x
A♯7
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x
D♯m7
EADGBExx1423
6frEADGBE1111327frEADGBExx231411frEADGBE111114
D♯m7/C♯
EADGBExx1423
6frEADGBE1111327frEADGBExx231411frEADGBE111114
Cm7♭5
EADGBEx1324x
4frEADGBE11xx248frEADGBE11123410frEADGBE333xx1
F7
EADGBE111132
3frEADGBE11x3248frEADGBE11113410frEADGBE111xx2
D♯m7♭5
EADGBE222xx1
6frEADGBEx1324x7frEADGBE11xx2410frEADGBE2x341x
G♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
A♯m7♭5
EADGBEx1324x
EADGBE11xx245frEADGBE2x341x8frEADGBE222xx1

I Remember Clifford in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through E to F# (ascending whole step), F# to D# (descending minor third), D# to G# (ascending perfect fourth), G# to F# (descending whole step), F# to E (descending whole step), E to D (descending whole step), D to C# (descending half step), C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to F (ascending tritone), F to F# (ascending half step), F# to G (ascending half step), G to G# (ascending half step), G# to F (descending minor third), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to C (descending minor third), C to F (ascending perfect fourth), F to D# (descending whole step), D# to G# (ascending perfect fourth), G# to A# (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from A# to E by tritone.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 38 bars · Form: A

Chords: E, F♯9, D♯7, G♯m7, F♯m7, Em7, Dm7, C♯m7, C♯m7/F♯, F♯7♭9, B, Fdim, F♯7, Gdim, G♯m7/F♯, Fm7♭5, A♯7, D♯m7, D♯m7/C♯, Cm7♭5, F7, D♯m7♭5, G♯7, A♯m7♭5.

Scales for Improvisation B bebop, B bebop major.

Diatonic chords: See all chords in the key of B