I Loves You, Porgy in A

George Gershwin / Ira Gershwin / DuBose Heyward(1935)swing
Do Re MiC D E
A
AMaj9
Bm13
E11
G9♯11
Caug7
A♯9♯11
Bm6/D
C♯7♯5
F♯m7♭5/C
Baug7
E11
AMaj9
Bm13
E9sus4
E13

Chord Diagrams — I Loves You, Porgy in A (Guitar)

Display
FingerNoteDegree
AMaj9
DMaj7
EADGBE111xx
2frEADGBE111x435frEADGBE1113247frEADGBE111xx4
Bm13
B - D - F♯ - A - C♯ - G♯
E11
EADGBE1
EADGBE23145frEADGBE11x3247frEADGBE1111x3
AMaj7
EADGBEx213
EADGBE111x45frEADGBE1114237frEADGBE333x1
C♯m7
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
F♯9
EADGBE111324
3frEADGBExx21438frEADGBE22222111frEADGBE1111x2
Bm9
EADGBEx1234
3frEADGBE222x147frEADGBE11113410frEADGBE112234
E9
EADGBE213
EADGBE113x426frEADGBE2222219frEADGBE11112
F9
EADGBE111324
EADGBExx21437frEADGBE22222110frEADGBE1111x2
A
EADGBEx234
2frEADGBE111x45frEADGBE1113427frEADGBEx1243
C♯m6
EADGBE11x324
5frEADGBExx23148frEADGBE2x134x9frEADGBE111234
G9♯11
EADGBE111234
5frEADGBExx12349frEADGBE11x23410frEADGBE111x23
G♯9
EADGBE11234x
4frEADGBE1113245frEADGBExx214310frEADGBE222221
Caug7
EADGBEx213x4
3frEADGBE11x4328frEADGBE1x23410frEADGBExx1423
B7♯11
EADGBE11x234
EADGBE111x236frEADGBE2x341x9frEADGBExx1234
Em6
EADGBE123
EADGBE111325frEADGBE11x3248frEADGBExx2314
A♯9♯11
EADGBEx123
5frEADGBE11123x8frEADGBExx123412frEADGBE11x234
B9
EADGBE2222x1
4frEADGBE1114327frEADGBE1113248frEADGBExx2143
Bm6/D
EADGBE2314
EADGBExx23146frEADGBE2x134x7frEADGBE111234
C♯7♯5
EADGBEx4321
4frEADGBE11x4327frEADGBE431x29frEADGBE1x234x
F♯m7♭5/C
10frEADGBE11xx24
EADGBE23414frEADGBE222xx19frEADGBEx1324x
Baug7
EADGBEx2134
2frEADGBEx2137frEADGBE1x234x9frEADGBExx1423
E9sus4
E - A - B - D - F♯
E13
EADGBE213
EADGBE1235frEADGBE13427frEADGBE111134
A6
EADGBE1111x
4frEADGBE2x143x5frEADGBE113x2410frEADGBEx4231x

I Loves You, Porgy in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to D (ascending perfect fourth), D to B (descending minor third), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to C# (ascending major third), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to F (ascending half step), F to A (ascending major third), A to C# (ascending major third), C# to G (ascending tritone), G to G# (ascending half step), G# to C (ascending major third), C to B (descending half step), B to E (ascending perfect fourth), E to A# (ascending tritone), A# to B (ascending half step), B to B (ascending unison), B to C# (ascending whole step), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to E (ascending unison), E to A (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A to A by unison.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 25 bars · Form: A

Chords: AMaj9, DMaj7, Bm13, E11, AMaj7, C♯m7, F♯9, Bm9, E9, F9, A, C♯m6, G9♯11, G♯9, Caug7, B7♯11, Em6, A♯9♯11, B9, Bm6/D, C♯7♯5, F♯m7♭5/C, Baug7, E9sus4, E13, A6.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A