I Guess I'll Hang My Tears Out to Dry in A

Sammy Cahn / Jule Styne(1944)swing
Do Re MiC D E
A
B
E7/A
E7/A
E7/A
Em9/A
A13♭9
E7sus4
A/E
Eaugadd9add7
Aaugadd9add7
Eaugadd9add7
D♯m7♭5add9add11
E9sus4

Chord Diagrams — I Guess I'll Hang My Tears Out to Dry in A (Guitar)

Display
FingerNoteDegree
A6
EADGBE1111x
4frEADGBE2x143x5frEADGBE113x2410frEADGBEx4231x
E7/A
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2
Em9/A
EADGBE24
EADGBE12435frEADGBE2222x110frEADGBE11324
A13♭9
EADGBEx123
3frEADGBE42315frEADGBE11132411frEADGBE44x213
D
EADGBExx132
2frEADGBE1114325frEADGBE11123410frEADGBE111342
C♯m
EADGBEx4213x
4frEADGBE1113426frEADGBE1132x49frEADGBE111134
F/C
3frEADGBE11x243
EADGBE1113425frEADGBE1114328frEADGBE111234
Bm7
EADGBE111132
3frEADGBExx23147frEADGBE1111139frEADGBE11x423
E7sus4
EADGBE23
5frEADGBE11x2347frEADGBE1111349frEADGBE11xx23
A
EADGBEx234
2frEADGBE111x45frEADGBE1113427frEADGBEx1243
A/E
EADGBEx234
2frEADGBE111x45frEADGBE1113427frEADGBEx1243
E7
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2
C♯m7
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
Cm7
EADGBEx2134x
3frEADGBE1111324frEADGBExx23148frEADGBE111113
Eaugadd9add7
AMaj7
EADGBEx213
EADGBE111x45frEADGBE1114237frEADGBE333x1
F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
DMaj7
EADGBE111xx
2frEADGBE111x435frEADGBE1113247frEADGBE111xx4
D♯7
EADGBExx1324
6frEADGBE111x348frEADGBE111xx211frEADGBE111132
E13
EADGBE213
EADGBE1235frEADGBE13427frEADGBE111134
Em7
EADGBE2
EADGBE114237frEADGBE1111328frEADGBExx2314
A7♭9
EADGBE11x23
5frEADGBE1114236frEADGBE11xx2311frEADGBE11x234
Dm6
EADGBExx21
3frEADGBE11x3245frEADGBEx13x249frEADGBE2222x1
Bm7♭5
EADGBEx1324x
6frEADGBE2x341x7frEADGBE1112349frEADGBE222xx1
A7
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
D6
EADGBExx23
3frEADGBEx4231x5frEADGBE3333x17frEADGBE111134
Aaugadd9add7
F♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
C♯m7♭5
4frEADGBEx1324x
5frEADGBE11xx248frEADGBE2x341x11frEADGBE222xx1
D♯m7♭5add9add11
Dm7
EADGBExx312
5frEADGBE1111326frEADGBExx231410frEADGBE111113
E9sus4
E - A - B - D - F♯
Cdim
EADGBEx41x23
3frEADGBEx1243x6frEADGBE31x42x10frEADGBExx12x3

I Guess I'll Hang My Tears Out to Dry in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to E (descending perfect fourth), E to E (ascending unison), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to C# (descending half step), C# to F (ascending major third), F to B (ascending tritone), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to A (ascending unison), A to E (descending perfect fourth), E to C# (descending minor third), C# to C (descending half step), C to E (ascending major third), E to A (ascending perfect fourth), A to F# (descending minor third), F# to D (descending major third), D to D# (ascending half step), D# to E (ascending half step), E to E (ascending unison), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to B (descending minor third), B to A (descending whole step), A to D (ascending perfect fourth), D to A (descending perfect fourth), A to F# (descending minor third), F# to C# (descending perfect fourth), C# to D# (ascending whole step), D# to D (descending half step), D to E (ascending whole step), E to C (descending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to A by minor third.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 38 bars · Form: AB

Chords: A6, E7/A, Em9/A, A13♭9, D, C♯m, F/C, Bm7, E7sus4, A, A/E, E7, C♯m7, Cm7, Eaugadd9add7, AMaj7, F♯m7, DMaj7, D♯7, E13, Em7, A7♭9, Dm6, Bm7♭5, A7, D6, Aaugadd9add7, F♯7, C♯m7♭5, D♯m7♭5add9add11, Dm7, E9sus4, Cdim.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A