Do Re MiC D E

I Didn't Know What Time It Was

Richard Rodgers / Lorenz Hart(1939)4/4ballad

Chord Diagrams — I Didn't Know What Time It Was in C (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G
3frEADGBE111342
EADGBE213
5frEADGBE11x243
7frEADGBE111432
C
3frEADGBE111234
EADGBEx321
5frEADGBE111xx4
8frEADGBE111342
F/G
3frEADGBE11x243
EADGBE111342
5frEADGBE111432
8frEADGBE111234
FMaj7/G
3frEADGBE11x333
EADGBExx321
EADGBE111423
8frEADGBE111324
G7/A
3frEADGBE111132
EADGBE321
5frEADGBE11x324
10frEADGBE111134
E7
EADGBE21
5frEADGBEx3241x
7frEADGBE111134
9frEADGBE111xx2
C/B
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
8frEADGBE111342
Aaug
EADGBEx4231
2frEADGBE11432x
5frEADGBE11x423
10frEADGBE11x32x
A7
EADGBEx23
EADGBE111x2
5frEADGBE111132
7frEADGBEx1324
G♯7♯11
3frEADGBE2x341x
6frEADGBExx1234
10frEADGBE11x234
11frEADGBE111x23
G9
3frEADGBE111324
EADGBE31
EADGBE11234x
9frEADGBE221334
Dm7/G
5frEADGBE111132
EADGBExx312
6frEADGBExx2314
10frEADGBE111113
Bm7
3frEADGBExx2314
EADGBE111132
7frEADGBE111113
9frEADGBE11x423
Am
2frEADGBE444x1
EADGBEx231
5frEADGBE111134
7frEADGBEx1342
Am9sus4
D
2frEADGBE111432
EADGBExx132
5frEADGBE111234
10frEADGBE111342
Dm
EADGBExx231
5frEADGBE111342
6frEADGBEx4231x
10frEADGBE111134
G6
EADGBE21
EADGBE2x143x
5frEADGBE111x34
10frEADGBE3333x1
Em7
EADGBE11423
EADGBE2
7frEADGBE111132
8frEADGBExx2314
FMaj7
EADGBExx321
EADGBE111423
3frEADGBE11x333
8frEADGBE111324
G7
EADGBE321
3frEADGBE111132
5frEADGBE11x324
10frEADGBE111134
Gm7
3frEADGBE111113
5frEADGBE11x423
8frEADGBE11x234
10frEADGBE111132
Dm7
EADGBExx312
5frEADGBE111132
6frEADGBExx2314
10frEADGBE111113
Dm11
EADGBE11xx
3frEADGBE11x234
8frEADGBE111342
10frEADGBE111114
C6
EADGBEx4231
3frEADGBE3333x1
7frEADGBE2x143x
8frEADGBE11x324
Bm7♭5/C
EADGBEx1324x
6frEADGBE2x341x
7frEADGBE111234
9frEADGBE222xx1
G/F♯
EADGBE213
3frEADGBE111342
5frEADGBE11x243
7frEADGBE111432
CMaj9
D7
EADGBExx213
3frEADGBEx3241x
5frEADGBE111134
10frEADGBE111132
Am11/A
EADGBEx1
3frEADGBE111342
5frEADGBE111114
10frEADGBE11x234
Dm7♭5
EADGBE111xx
3frEADGBE11x342
5frEADGBEx1324x
8frEADGBEx1432
CMaj7/D
EADGBE231
3frEADGBE111324
5frEADGBE111xx4
10frEADGBE333xx1
G11
EADGBE1132
5frEADGBE111123
8frEADGBE11x324
10frEADGBE1111x3
F6
EADGBE11x324
3frEADGBE111x34
6frEADGBEx4231x
8frEADGBE113333
F♯m7♭5
EADGBE2341
4frEADGBE222xx1
9frEADGBEx1324x
10frEADGBE11xx24

Explore More

I Didn't Know What Time It Was in C

Key of C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to F (ascending unison), F to G (ascending whole step), G to E (descending minor third), E to C (descending major third), C to A (descending minor third), A to A (ascending unison), A to G# (descending half step), G# to G (descending half step), G to D (descending perfect fourth), D to B (descending minor third), B to A (descending whole step), A to A (ascending unison), A to D (ascending perfect fourth), D to D (ascending unison), D to G (ascending perfect fourth), G to E (descending minor third), E to F (ascending half step), F to G (ascending whole step), G to G (ascending unison), G to D (descending perfect fourth), D to D (ascending unison), D to C (descending whole step), C to B (descending half step), B to G (descending major third), G to C (ascending perfect fourth), C to D (ascending whole step), D to A (descending perfect fourth), A to D (ascending perfect fourth), D to C (descending whole step), C to G (descending perfect fourth), G to F (descending whole step), F to F# (ascending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from F# to G by half step.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 43 bars · Form: AB

Chords: G, C, F/G, FMaj7/G, G7/A, E7, C/B, Aaug, A7, G♯7♯11, G9, Dm7/G, Bm7, Am, Am9sus4, D, Dm, G6, Em7, FMaj7, G7, Gm7, Dm7, Dm11, C6, Bm7♭5/C, G/F♯, CMaj9, D7, Am11/A, Dm7♭5, CMaj7/D, G11, F6, F♯m7♭5.

Scales for Improvisation C bebop, C bebop major.

Diatonic chords: See all chords in the key of C