How to practice How Do You Say Auf Wiedersehen? with play-along tracks?

Use the play-along backing track above to practice How Do You Say Auf Wiedersehen? in the key of A. Listen to the audio with bass, piano, and drums, start by playing the melody, then practice improvisation and soloing over the chord changes.

What scales to use for soloing over How Do You Say Auf Wiedersehen??

For soloing over How Do You Say Auf Wiedersehen?, recommended scales include: bebop, bebop major. Use arpeggio patterns over each chord to create melodic lines that follow the harmony of this jazz tune.

Who composed How Do You Say Auf Wiedersehen??

How Do You Say Auf Wiedersehen? was composed by Tony Scibetta / Johnny Mercer in 1967. It is a waltz standard in 3/4 time. The original key is D; this page shows it transposed to A.

What key is How Do You Say Auf Wiedersehen? in?

The original key of How Do You Say Auf Wiedersehen? is D. The form is A with 63 bars. This page shows the chart transposed to A.

What scales work for improvising over How Do You Say Auf Wiedersehen??

Recommended scales for How Do You Say Auf Wiedersehen? in A: bebop, bebop major. Scales and arpeggios update in real-time as each chord plays, with context-aware analysis (e.g., Phrygian Dominant over secondary dominants).

How does the interactive backing track work?

The backing track plays with realistic walking bass, drum patterns, and voice-led chord voicings. Scales and arpeggios update in real-time as each chord plays. You can limit the fretboard zone for close-proximity voicings, toggle a reference melody, loop any section, and choose between multiple sound presets. Works for guitar, piano, bass, ukulele, and 7 more instruments.

Can I edit the chord chart?

Yes. You can modify the structure, chords, and arrangement of any standard to match your preferred version or create your own reharmonization.

Do Re MiC D E

How Do You Say Auf Wiedersehen?

Tony Scibetta / Johnny Mercer(1967)3/4waltz

BPM: 120

Chord Diagrams — How Do You Say Auf Wiedersehen? in A (Guitar)

Display

FingerNoteDegree

Chord Voicings Closest Voicing

Starting fret

Open123456789101112

D♯

DMaj9

E9sus4

E - A - B - D - F♯

Adim

G/D

C♯dim/G

F/C

B7♯5

Dm11

C13

E7sus4

Dm/F

E7♯5

C7♯5

A♯7♯5

G/E

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How Do You Say Auf Wiedersehen? in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to D# (ascending tritone), D# to D (descending half step), D to D (ascending unison), D to E (ascending whole step), E to A (ascending perfect fourth), A to A (ascending unison), A to G (descending whole step), G to D (descending perfect fourth), D to C# (descending half step), C# to G (ascending tritone), G to F (descending whole step), F to C (descending perfect fourth), C to C (ascending unison), C to F (ascending perfect fourth), F to F (ascending unison), F to D (descending minor third), D to B (descending minor third), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to D (ascending unison), D to D (ascending unison), D to C (descending whole step), C to C (ascending unison), C to G (descending perfect fourth), G to C# (ascending tritone), C# to E (ascending minor third), E to E (ascending unison), E to A (ascending perfect fourth), A to E (descending perfect fourth), E to D (descending whole step), D to E (ascending whole step), E to B (descending perfect fourth), B to A (descending whole step), A to G (descending whole step), G to C (ascending perfect fourth), C to C (ascending unison), C to C (ascending unison), C to F (ascending perfect fourth), F to F (ascending unison), F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to A# (ascending unison), A# to B (ascending half step), B to G (descending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from G to A by whole step.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

waltz3/4 · 63 bars · Form: A

Chords: A, D♯, D6, DMaj9, E9sus4, Adim, A9, G/D, Dm, C♯dim/G, G9, F/C, C6, Cdim, FMaj7, F, DmMaj7, B7♯5, E7♭9, Am, Dm7, Dm6, Dm11, C, C13, Gm7, C♯dim, E7, E7sus4, A7♭9, Em7♭5, Dm/F, E7♯5, Bm7♭5, Am7, Gm9, C7♯5, C7♯11, C7, F6, Fm9, A♯7♯5, A♯7♯11, A♯7, Bm7, G/E.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A

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