How to practice Gone with the Wind with play-along tracks?

Use the play-along backing track above to practice Gone with the Wind in the key of A#. Listen to the audio with bass, piano, and drums, start by playing the melody, then practice improvisation and soloing over the chord changes.

What scales to use for soloing over Gone with the Wind?

For soloing over Gone with the Wind, recommended scales include: bebop, bebop major. Use arpeggio patterns over each chord to create melodic lines that follow the harmony of this jazz tune.

Who composed Gone with the Wind?

Gone with the Wind was composed by Allie Wrubel / Herb Magidson in 1937. It is a swing standard in 2/2 time. The original key is Eb; this page shows it transposed to A#.

What key is Gone with the Wind in?

The original key of Gone with the Wind is Eb. The form is A with 32 bars. This page shows the chart transposed to A#.

What scales work for improvising over Gone with the Wind?

Recommended scales for Gone with the Wind in A#: bebop, bebop major. Scales and arpeggios update in real-time as each chord plays, with context-aware analysis (e.g., Phrygian Dominant over secondary dominants).

How does the interactive backing track work?

The backing track plays with realistic walking bass, drum patterns, and voice-led chord voicings. Scales and arpeggios update in real-time as each chord plays. You can limit the fretboard zone for close-proximity voicings, toggle a reference melody, loop any section, and choose between multiple sound presets. Works for guitar, piano, bass, ukulele, and 7 more instruments.

Can I edit the chord chart?

Yes. You can modify the structure, chords, and arrangement of any standard to match your preferred version or create your own reharmonization.

Gone with the Wind in A#

Allie Wrubel / Herb Magidson(1937)swing

Do Re MiC D E

Section A

♬

D6/F♯

♬

D/F♯

♬

F7♭9♯5♬

Faug/A

Fm/G♯

♬

C♭9♯11

♬

D6/F♯

♬

D/F♯

♬

F13

F♭9♯11

♬

C♭9

♬

BPM: 120

Chord Diagrams — Gone with the Wind in A# (Guitar)

Display

FingerNoteDegree

Chord Voicings Closest Voicing

D6/F♯

D/F♯

F7♭9♯5

F - A - C♯ - E♭ - G♭

A♯

Faug/A

Fm/G♯

B9♯11

Cm6

F13

E9♯11

Gone with the Wind in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to E (ascending tritone), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to F (ascending minor third), F to F# (ascending half step), F# to D (descending major third), D to D (ascending unison), D to C# (descending half step), C# to F (ascending major third), F to A# (ascending perfect fourth), A# to F (descending perfect fourth), F to F (ascending unison), F to G (ascending whole step), G to Cb (ascending perfect fourth), Cb to F (ascending perfect fourth), F to C (descending perfect fourth), C to G (descending perfect fourth), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to Fb (descending perfect fourth), Fb to G (descending perfect fourth), G to Cb (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from Cb to C by unison.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 32 bars · Form: A

Chords: Cm7, F7, A♯Maj7, A♯6, Em7, A7, D6/F♯, Fdim, F♯m7, D/F♯, Dm7, C♯dim7, F7♭9♯5, A♯, Faug/A, Fm/G♯, G7, C♭9♯11, F9, Cm, Gm, Cm6, F13, F♭9♯11, G9, C♭9.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#