Get Out of Town in G

Cole Porter(1938)swing
Do Re MiC D E
A
Gmadd2/F
Dm7♭5/G
Ddim/C
D♯mMaj7/F♯
A♯Maj9/F

Chord Diagrams — Get Out of Town in G (Guitar)

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Get Out of Town in G

Key of G

G major is the singer-songwriter's key. The open G, B, and D strings spell out the full G major triad with zero fretting. Add the open high E for a Gadd6 shimmer. Nearly every diatonic chord (Em, Am, C, D) has a comfortable open voicing. G is a beginner-level key on guitar because the open G, B, and D strings form a complete G major triad without fretting a single note, and the open low E adds a rich 6th color. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through G to G (ascending unison), G to G (ascending unison), G to E (descending minor third), E to D# (descending half step), D# to D (descending half step), D to C# (descending half step), C# to C (descending half step), C to A (descending minor third), A to A (ascending unison), A to D (ascending perfect fourth), D to D (ascending unison), D to G (ascending perfect fourth), G to D (descending perfect fourth), D to G (ascending perfect fourth), G to D (descending perfect fourth), D to C (descending whole step), C to D# (ascending minor third), D# to D# (ascending unison), D# to A# (descending perfect fourth), A# to D (ascending major third), D to C (descending whole step), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to F# (descending major third), F# to D (descending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D to G by perfect fourth.

Scales for Improvisation

G major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: A

Chords: Gm, Gm6, Gmadd2/F, Em7♭5, D♯dim, Dm7, C♯dim, Cm7, A7, A7♭9, D, D7, G, Dm7♭5/G, G7, Ddim/C, Cm, D♯m, D♯mMaj7/F♯, A♯Maj9/F, Dm7♭5, Cm7♭5, F7, A♯, F♯dim, D7♭9.

Scales for Improvisation G bebop minor, G bebop.

Diatonic chords: See all chords in the key of G