Ev'ry Time We Say Goodbye in G#

Cole Porter(1944)swing
Do Re MiC D E
A
D♯7/A♯
D♯7/A♯
G♯/C
D♯m/G♯
G♯aug/C
G♯/C
D♯7/A♯
D♯7/A♯
G♯/C
G♯/D♯
G♯dim/D♯
G♯dim/D♯

Chord Diagrams — Ev'ry Time We Say Goodbye in G# (Guitar)

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Ev'ry Time We Say Goodbye in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to F (descending minor third), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to B (descending major third), B to G# (descending minor third), G# to C# (ascending perfect fourth), C# to G# (descending perfect fourth), G# to B (ascending minor third), B to A# (descending half step), A# to D# (ascending perfect fourth), D# to C# (descending whole step), C# to G# (descending perfect fourth), G# to D (ascending tritone), D to G# (ascending tritone), G# to G# (ascending unison), G# to F (descending minor third), F to A# (ascending perfect fourth), A# to G# (descending whole step), G# to G# (ascending unison), G# to D# (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D# to G# by perfect fourth.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: A

Chords: G♯, Fm, A♯m7, D♯7, D♯7/A♯, B, G♯7, C♯m, G♯/C, Bdim, A♯m7♭5, D♯m/G♯, C♯, G♯aug/C, Ddim, G♯9, G♯/D♯, F7, A♯7, G♯6, G♯dim/D♯, D♯9.

Scales for Improvisation G# bebop, G# bebop major.

Diatonic chords: See all chords in the key of G#