Do Re MiC D E

Embraceable You

Gershwin George4/4ballad

Chord Diagrams — Embraceable You in D (Guitar)

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Embraceable You in D

Gershwin's intimate romantic ballad invites lyrical Bebop Major lines and expressive Dorian and Mixolydian color woven through the D tonality. The melody demands legato control and harmonic sensitivity above all technical display. Approach the Dmaj7 – Fdim7 – Em7 – A7 – Gm6 – C#m7b5 – F#7b9 – Bm – Bm/D – G#m7b5 – C#7#5 – F#m7 – Bm7 – E7 – Amaj7 – Am7 – D7 – Gmaj7 – Bm7/D – B7 – Em7b5 – A7b9 changes as a vehicle for singing, long-tone phrasing and mature ballad expression.

Key of D

D major is one of guitar's most resonant keys. The open D string acts as a droning root, and the open A string provides the fifth. This gives D-based strumming a wide, ringing quality that flatpicks and fingerpicks love. D is a beginner-level key on guitar because the open D and A strings provide a powerful bass foundation, and the open high E is the 2nd scale degree adding brightness. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through D to F (ascending minor third), F to E (descending half step), E to A (ascending perfect fourth), A to G (descending whole step), G to C# (ascending tritone), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to B (ascending unison), B to G# (descending minor third), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to A (ascending unison), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to B (ascending major third), B to B (ascending unison), B to E (ascending perfect fourth), E to A (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A to D by perfect fourth.

Scales for Improvisation

D major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 32 bars · Form: ABAC

Chords: Dmaj7, Fdim7, Em7, A7, Gm6, C♯m7♭5, F♯7♭9, Bm, Bm/D, G♯m7♭5, C♯7♯5, F♯m7, Bm7, E7, Amaj7, Am7, D7, Gmaj7, Bm7/D, B7, Em7♭5, A7♭9.

Scales for Improvisation D bebop, D bebop major.

Diatonic chords: See all chords in the key of D