Call Me Irresponsible in A#

Jimmy Van Heusen / Sammy Cahn(1962)swing
Do Re MiC D E
A
A♯Maj7/D
D7♯5
G7♯5
G7♯5
G7♯5
A♯Maj7/D
D7♯5
G7♯5
G7♯5
G7♯5
D7♯5

Chord Diagrams — Call Me Irresponsible in A# (Guitar)

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Call Me Irresponsible in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to A# (ascending unison), A# to B (ascending half step), B to C (ascending half step), C to C (ascending unison), C to C# (ascending half step), C# to A# (descending minor third), A# to D (ascending major third), D to G (ascending perfect fourth), G to F (descending whole step), F to D (descending minor third), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to G (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G to A# by minor third.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 36 bars · Form: A

Chords: A♯, A♯6, Bdim7, Cm7, Cm6, C♯dim7, A♯Maj7/D, D7♯5, G7♯5, F7, Dm7♭5, Gm7, C7, G7♭9.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#