Cabaret in A

John Kander / Fred Ebb(1966)swing
Do Re MiC D E
A
B
E7♯5
E7♭9♯5
E7♯5
E7♯5
E7♭9♯5
E7♯5
E7♭9♯5
F♯7♯5
Dm6/E

Chord Diagrams — Cabaret in A (Guitar)

Display
FingerNoteDegree
A6
EADGBE1111x
4frEADGBE2x143x5frEADGBE113x2410frEADGBEx4231x
E7♯5
EADGBE412
2frEADGBExx14237frEADGBE11x43212frEADGBE1x234x
E7♭9♯5
E - G♯ - C - D - F
A
EADGBEx234
2frEADGBE111x45frEADGBE1113427frEADGBEx1243
AMaj7
EADGBEx213
EADGBE111x45frEADGBE1114237frEADGBE333x1
A9
2frEADGBE431
EADGBE11x325frEADGBE11132411frEADGBE2222x1
D6
EADGBExx23
3frEADGBEx4231x5frEADGBE3333x17frEADGBE111134
Adim
EADGBEx132x
3frEADGBE31x42x7frEADGBExx12x310frEADGBEx41x23
C♯m7
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
F♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
Bm9
EADGBEx1234
3frEADGBE222x147frEADGBE11113410frEADGBE112234
E9
EADGBE213
EADGBE113x426frEADGBE2222219frEADGBE11112
F♯m
EADGBE111134
4frEADGBE11x3425frEADGBExx32419frEADGBE111342
Aaug
EADGBEx4231
2frEADGBE11432x5frEADGBE11x42310frEADGBE11x32x
C♯m
EADGBEx4213x
4frEADGBE1113426frEADGBE1132x49frEADGBE111134
E7
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2
Bm7
EADGBE111132
3frEADGBExx23147frEADGBE1111139frEADGBE11x423
Dm
EADGBExx231
5frEADGBE1113426frEADGBEx4231x10frEADGBE111134
F♯mMaj7
EADGBE111132
4frEADGBE11x3426frEADGBE11x42x9frEADGBE111423
F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
B7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
Em7
EADGBE2
EADGBE114237frEADGBE1111328frEADGBExx2314
A7
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
Cm6
EADGBE11x324
3frEADGBEx13x247frEADGBE2222x18frEADGBE111234
F♯7♯5
EADGBE1x234x
4frEADGBExx14237frEADGBEx43129frEADGBE11x432
Dm6/E
EADGBExx21
3frEADGBE11x3245frEADGBEx13x249frEADGBE2222x1

Cabaret in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to E (descending perfect fourth), E to E (ascending unison), E to A (ascending perfect fourth), A to A (ascending unison), A to A (ascending unison), A to D (ascending perfect fourth), D to A (descending perfect fourth), A to C# (ascending major third), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to F# (ascending whole step), F# to A (ascending minor third), A to C# (ascending major third), C# to E (ascending minor third), E to B (descending perfect fourth), B to D (ascending minor third), D to F# (ascending major third), F# to F# (ascending unison), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to C (ascending minor third), C to F# (ascending tritone), F# to D (descending major third). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D to A by perfect fourth.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 42 bars · Form: AB

Chords: A6, E7♯5, E7♭9♯5, A, AMaj7, A9, D6, Adim, C♯m7, F♯7, Bm9, E9, F♯m, Aaug, C♯m, E7, Bm7, Dm, F♯mMaj7, F♯m7, B7, Em7, A7, Cm6, F♯7♯5, Dm6/E.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A