Bye Bye Blackbird in A#

Ray Henderson(1926)swingModerately
Do Re MiC D E
A
B
C
D

Chord Diagrams — Bye Bye Blackbird in A# (Guitar)

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Bye Bye Blackbird in A#

This pop standard transformed by generations of jazz musicians flows through Bebop Major and Dorian language over a crisp A# swing. The straightforward AABA form makes it a reliable vehicle for developing melodic development and motivic variation. The A# – G7 – Cm7 – F9 – C#dim7 – F7 – Cm – Cm6 – A#Maj7 – A#6 – A#7 – Dm7b5 – Cm7b5 – G#7 – Gm7 – D# – D#m6 changes are a core repertoire item that tests melodic invention over clean harmonic motion.

Bye Bye Blackbird in A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to G (descending minor third), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to C# (descending major third), C# to F (ascending major third), F to C (descending perfect fourth), C to C (ascending unison), C to A# (descending whole step), A# to A# (ascending unison), A# to A# (ascending unison), A# to D (ascending major third), D to C (descending whole step), C to G# (descending major third), G# to G (descending half step), G to D# (descending major third), D# to D# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D# to A# by perfect fourth.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 33 bars · Form: ABCD

Chords: A♯, G7, Cm7, F9, C♯dim7, F7, Cm, Cm6, A♯Maj7, A♯6, A♯7, Dm7♭5, Cm7♭5, G♯7, Gm7, D♯, D♯m6.

Scales for Improvisation A# major, A# dorian, A# mixolydian, A# bebop major, A# major pentatonic.

Diatonic chords: See all chords in the key of A#