Brigas, Nunca Mais in A

Antônio Carlos Jobim(1959)swing
Do Re MiC D E
A
G♯7♯5
F♯7♯5
E13
Eaug7
G♯7♯5
F♯7♯5
E13
Aaug7
AMaj7/E
E7sus4
E7sus4
E7sus4
E7sus4

Chord Diagrams — Brigas, Nunca Mais in A (Guitar)

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Brigas, Nunca Mais in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to G# (descending half step), G# to G (descending half step), G to F# (descending half step), F# to B (ascending perfect fourth), B to G (descending major third), G to E (descending minor third), E to C# (descending minor third), C# to C (descending half step), C to B (descending half step), B to F# (descending perfect fourth), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to A (ascending unison), A to D (ascending perfect fourth), D to D (ascending unison), D to A (descending perfect fourth), A to E (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to A by perfect fourth.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 37 bars · Form: A

Chords: A6, G♯7♯5, GMaj7, F♯7♯5, Bm9, Gm6, E13, C♯m7, Cdim, Bm7, F♯m7, B9, Eaug7, AMaj7, Aaug7, DMaj7, Dm6, AMaj7/E, E7sus4.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A