ANSWER ME in F

Gerhard Winkler / Carl Sigman(1952)swing
Do Re MiC D E
A
B
C/E
A♯/D
A♯m/C♭
F/C
C7/G
Am6/E
C/E
A♯/D
A♯m/C♭
F/C
C7/G

Chord Diagrams — ANSWER ME in F (Guitar)

Display
FingerNoteDegree
F
EADGBE111342
3frEADGBE11x2435frEADGBE1114328frEADGBE111234
C/E
EADGBEx321
3frEADGBE1112345frEADGBE111xx48frEADGBE111342
A♯/D
EADGBE11x234
3frEADGBE11143x6frEADGBE1113428frEADGBE11x243
A♯m/C♭
EADGBE11x342
6frEADGBE1111346frEADGBE111xx38frEADGBExx1342
F/C
3frEADGBE11x243
EADGBE1113425frEADGBE1114328frEADGBE111234
A♯6
EADGBE3333x1
5frEADGBE21346frEADGBE113x2410frEADGBEx4231x
F/A
5frEADGBE111432
EADGBE1113423frEADGBE11x2438frEADGBE111234
G♯dim
EADGBE31x42x
6frEADGBExx12x39frEADGBEx41x2311frEADGBEx1243x
C7/G
3frEADGBE111134
EADGBEx32415frEADGBE111xx28frEADGBE111132
C7
EADGBEx3241
3frEADGBE1111345frEADGBE111xx28frEADGBE111132
Am
EADGBEx231
2frEADGBE444x15frEADGBE1111347frEADGBEx1342
F9
EADGBE111324
EADGBExx21437frEADGBE22222110frEADGBE1111x2
Am6/E
7frEADGBE111x32
EADGBEx23144frEADGBE2222x15frEADGBE111234
Dm7♭5
EADGBE111xx
3frEADGBE11x3425frEADGBEx1324x8frEADGBEx1432
G7
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134

ANSWER ME in F

Key of F

F major is the gateway to barre chords. While F itself requires a full barre at fret 1, the remaining diatonic chords (C, Dm, Am, G, Bb) mix open and barre shapes. The open high E acts as Fmaj7's seventh, adding unexpected richness. F is a intermediate-level key on guitar because the open high E string is the major seventh of F, creating a lush Fmaj7 resonance even in basic shapes, but the F barre chord itself is the first big hurdle for beginners. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through F to C (descending perfect fourth), C to A# (descending whole step), A# to A# (ascending unison), A# to F (descending perfect fourth), F to A# (ascending perfect fourth), A# to F (descending perfect fourth), F to G# (ascending minor third), G# to C (ascending major third), C to C (ascending unison), C to A (descending minor third), A to F (descending major third), F to A (ascending major third), A to D (ascending perfect fourth), D to G (ascending perfect fourth). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G to F by whole step.

Scales for Improvisation

F major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing3/4 · 24 bars · Form: AB

Chords: F, C/E, A♯/D, A♯m/C♭, F/C, A♯6, F/A, G♯dim, C7/G, C7, Am, F9, Am6/E, Dm7♭5, G7.

Scales for Improvisation F bebop, F bebop major.

Diatonic chords: See all chords in the key of F