Do Re MiC D E

A String of Pearls

Jerry Gray / Eddie DeLange(1941)4/4swing

Chord Diagrams — A String of Pearls in A# (Guitar)

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A String of Pearls in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to A# (ascending unison), A# to A# (ascending unison), A# to A# (ascending unison), A# to C (ascending whole step), C to D# (ascending minor third), D# to D# (ascending unison), D# to D# (ascending unison), D# to D# (ascending unison), D# to D# (ascending unison), D# to F (ascending whole step), F to F# (ascending half step), F# to C (ascending tritone). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from C to F by perfect fourth.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 36 bars · Form: A

Chords: F7, A♯7, A♯Maj7, A♯, A♯aug, A♯6, C7, D♯7, D♯Maj7, D♯, D♯aug, D♯6, F, F♯7/D, Cm7/D.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#